“Self-portrait in a Straw Hat” by Louise Élisabeth Vigée Le Brun portrays the prominent French portrait painter who was a friend and favorite artist of Marie Antoinette. Her bosom is presented to us while she looks to the side the light is on her breasts, not her face. You are welcome to review our Privacy Policies via the top menu. In 1783, Vigée Le Brun was received as a member of the Académie Royale. In 1768, her mother married a wealthy jeweller, Jacques-François Le Sèvre, and shortly after, the family moved to the Rue Saint-Honoré, close to the Palais Royal. Both paintings are now in the National Gallery so you can compare them. Her mother, Jeanne, was a hairdresser. National Museum of African American History and Culture, J.F.Kennedy Presidential Library and Museum, Peabody Museum of Archaeology and Ethnology, National Roman Legion Museum & Caerleon Fortress & Baths, Musée National du Moyen Age – National Museum of the Middle Ages, Akrotiri Archaeological Site – Santorini – Thera, Museum of the History of the Olympic Games, Alte Nationalgalerie – National Gallery, Berlin, Deutsches Historisches Museum – German Historical Museum, Österreichische Galerie Belvedere – Virtual Tour, Museo Nacional Centro de Arte Reina Sofía- Virtual Tour, Nationalmuseum – National Museum of Fine Arts, Stockholm, National Museum of Art, Architecture and Design, Jewish Museum of Australia – Virtual Tour, National Portrait Gallery, Canberra, Australia, Museum and Art Gallery of the Northern Territory, Museo Nacional de Bellas Artes (Buenos Aires), Most Popular Museums, Art and Historical Sites, Museum Masterpieces and Historical Objects, Popular Museums, Art and Historical Sites, “Virgin of the Rocks” by Leonardo da Vinci, “The Raising of Lazarus” by Sebastiano del Piombo, “The Ambassadors” by Hans Holbein the Younger, “Saint George and the Dragon” by Tintoretto, “The Family of Darius before Alexander” by Paolo Veronese, “The Origin of the Milky Way” by Tintoretto, “Samson and Delilah” by Peter Paul Rubens, “The Judgement of Paris” by Peter Paul Rubens, “Aurora abducting Cephalus” by Peter Paul Rubens, “Equestrian Portrait of Charles I” by Anthony van Dyck, “Self Portrait at the Age of 63” by Rembrandt, “A Young Woman standing at a Virginal” by Johannes Vermeer, “Bacchus and Ariadne” by Sebastiano Ricci, “A Regatta on the Grand Canal” by Canaletto, “Mr. Between 1835 and 1837 when Vigée Le Brun was in her eighties when she published her memoirs in three volumes, Souvenirs. As her career blossomed, Vigée Le Brun was granted patronage by Marie Antoinette. Her decolletage is revealing, not unseemly, and if you thought the rustic garb meant she was poor, look at those earrings. Vigee Le Brun's father was an unsuccessful painter she easily eclipsed him. She became a star of the biennial public art exhibition, the Salon, specialising in portraits of courtiers, their children, and, most importantly, her friend the Queen. The National Gallery, London WC2 (020-7747 2885). 2nd ed. and Mrs. Andrews” by Thomas Gainsborough, “An Experiment on a Bird in the Air Pump” by Joseph Wright of Derby, “Self-portrait in a Straw Hat” by Louise Élisabeth Vigée Le Brun, “The Emperor Napoleon I” by Horace Vernet, “Dido Building Carthage” by J. M. W. Turner, “Salisbury Cathedral from the Meadows” by John Constable, “The Execution of Lady Jane Grey” by Paul Delaroche, “The Fighting Temeraire” by Joseph Mallord William Turner, “Rain, Steam, and Speed – The Great Western Railway” by J. M. W. Turner, “Cimabue’s Celebrated Madonna is carried in Procession through the Streets of Florence” by Frederic Leighton, “Madame Moitessier” by Jean-Auguste-Dominique Ingres, “After the Bath, Woman Drying Herself” by Edgar Degas, “Boulevard Montmartre at Night” by Camille Pissarro, Title:             Self-portrait in a Straw Hat, Artist:           Louise Élisabeth Vigée Le Brun, Dimensions: 97.8 × 70.5 cm (38.5 × 27.7 in), Died:            1842 (aged 86) – Paris, France. Like Marie-Antoinette, Vigee Le Brun attracted sleazy gossip she was said to sleep with the men she painted. Sorry, your blog cannot share posts by email. She died in Paris in 1842, aged 86. In her twelve-year absence from France, she lived and worked in Italy, Austria, Russia, and Germany. We assume so, since she did more than one version and wrote about it: "Mme Le Brun - is she not astonishing? • Discuss how you would choose to pose in your own portrait. Women, Art, and Society. From The National Gallery, London, Élisabeth Louise Vigée-Le Brun, Self Portrait in a Straw Hat (after 1782), Oil on canvas, 97.8 × 70.5 cm Élisabeth Louise Vigée Le Brun (1755 – 1842) was a prominent French portrait painter of the late eighteenth century. Born in Paris on 16 April 1755, Élisabeth Louise Vigée was the daughter of Jeanne (née Maissin) (1728–1800), a hairdresser, and portraitist and fan painter, Louis Vigée, from whom she received her first instruction. Many of her paintings are owned by major museums, such as the Louvre, Hermitage Museum, National Gallery in London, Metropolitan Museum of Art in New York, and many other collections in continental Europe and the United States. Her color palette was Rococo influenced, but her style assumed the emerging Neoclassicism. “Self-portrait in a Straw Hat” by Élisabeth Vigée Le Brun “Self-portrait in a Straw Hat” by Louise Élisabeth Vigée Le Brun portrays the prominent French portrait painter who was a friend and favorite artist of Marie Antoinette. She painted more than thirty portraits of the queen and her family. She is dressed in a self-consciously natural style that shows she has read Rousseau she has a rustic straw hat, no powder, unkempt hair (a style she took credit for introducing to the French court). Post was not sent - check your email addresses! Did she like it? In the Rubens there is flesh for the male eye, yet Lunden's face is in shadow in Vigee Le Brun's self- portrait it is her entire social being that is illuminated. Artist: Elizabeth Louise Vigee Le Brun (1755-1842), friend and favourite artist of Marie- Antoinette, and the most stylish portrait painter in France on the eve of the Revolution. By the time she was in her early teens, Élisabeth was painting portraits professionally. • Life in Lockdown activity: Elisabeth painted this portrait of herself outside but in reality she was in her studio. In 1776 she married Jean-Baptiste-Pierre Le Brun, a painter, and art dealer, and soon after started painted portraits of many of the nobility. Vigée Le Brun’s membership in the Académie dissolved after the French Revolution because female academicians were abolished. London: Thames & Hudson Ltd, 1997. In her me… Where is it? She and Marie-Antoinette shared a cult of simple things uncomfortably at odds with the wealth of the court. They would have recognised this painting as a version of what was then one of the best-loved portraits in the world, Rubens's The Straw Hat (1622-25), actually showing its subject Susanna Lunden wearing a felt hat. Vigée Le Brun was finally able to return to France in 1802. In the 1700s, Madame Le Brun painted portraits of nobility, and with Marie Antoinette’s support, her career flourished. Vigee Le Brun looks at us frankly, holding a painter's palette that isn't aggressively asserted but is just there. Self Portrait in a Straw Hat is a signed copy by the artist of a very popular self portrait that she painted in 1782 and which is now in the collection of the baronne Edmond de Rothschild. ‘Self-portrait in a Straw Hat’ was created in c.1787 by Louise Elisabeth Vigee Le Brun in Rococo style. Self-Portrait in a Straw Hat after 1782 Oil on canvas, 98 x 70 cm National Gallery, London: The daughter and pupil of a minor Parisian painter, Louis Vigée, Madame Vigée-Lebrun was an attractive and charming woman, who specialised in the attractive and charming portrayal of women and children while remaining a competent portraitist of men. Vigée Le Brun was a power-house of ambition, determination, and hard work. “The main thing is to be moved, to love, to hope, to tremble, to live.” She continued to travel, visiting London and Switzerland. In 1789, after the arrest of the royal family during the French Revolution, Vigée Le Brun fled France with her young daughter, Julie. In David's art the most noble thing a woman can do is kill herself. She was one of only fifteen women to be granted full membership in the Académie between 1648 and 1793. Because it is so much harder to spend time outside during the lockdown use your imagination to paint yourself in an outdoors scene without leaving the house. Vigee Le Brun said she loved this effect, but she has the light leading up from her semi-exposed breast into her frankly returned gaze.

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