In 1844 ging hij studeren aan de École des Beaux Arts in Parijs en vanaf 1849 werd hij leerling van Théodore Chassériau, bij wie hij ook woonde. Moreau’s art has often been described as decadent. Oedipus was initially purchased by Prince Napoléon, first cousin of Emperor Napoleon III. His pupils include Georges Rouault, Henri Matisse, Albert Marquet, Henri Charles Manguin and Edgar Maxence.On Sundays, he receives his pupils at his house, and also invites young artists such as Ary Renan, his first biographer, and George Desvallières. Later, their aesthetics developed in very different ways, as evident from a comment of Degas's, reported by the French poet Paul Valéry: "He would have us believe that the Gods wore watch chains." [Internet]. In 1888, Moreau was elected to the Académie des Beaux-Arts. His mother Pauline lavishes attention on him because of his delicate health. The following year, Moreau's mother, to whom he was very close, died, plunging the artist into despair. Moreau’s Oedipus and the Sphinx (1864) and his The Apparition (Dance of Salome) (c. 1876) and Dance of Salome (c. 1876) show his work becoming increasingly concerned with exotic eroticism and violence, and his richly crowded canvases made greater use of dramatic lighting to heighten his brilliant, jewel-like colours. When he was 15, he visited Italy and quickly developed a keen interest in art, particularly that of Greco-Roman and Byzantine antiquity and the early Italian Renaissance. As well as Joris-Karl Huysmans, responses to Moreau can be found in the work of Cuban-born French poet José-Maria de Heredia, who wrote sonnets inspired by the artist's painting, and in the writings of Marcel Proust, a frequent visitor to Moreau's home. Chassériau's influence on Moreau is crucial. Gustave Moreau was born in Paris to a wealthy middle-class family in 1826. She would remain, right up until her death in 1890, his “best and only friend”. His father, an architect, ensured that Moreau received an education in the classics, while his mother, a talented musician, doted on him due to his poor health as a child. His father helps him to study for the baccalauréat exam. It is shortly after this that he meets Alexandrine Dureux whom he introduces to drawing. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. This is the only solo exhibition of his life. He also dedicated the final years of his life to planning for his Parisian home to be transformed into a museum, containing both finished and unfinished work as well as the objects and furniture of his everyday life. Omissions? Try to remember if these famous names were painters or architects. 1878 Universal Exhibition in Paris. Corrections? Moreau's interest in dreams and his attempts to express an abstract emotional state through form, color and juxtaposition would be a significant influence on Breton and other Surrealists, including Salvador Dalí. 1879 Moreau begins an exceptional series of sixty-four watercolours to illustrate La Fontaine’s Fables (private collection).The sketches are conserved at the Musée Gustave Moreau. 1841First visit to northern Italy; returns with an album of drawings. 1878Universal Exhibition in Paris. This was a key period for Moreau's artistic development, and in 1852 his work was exhibited in the official Salon for the first time. 1857-58Second visit to Italy, from October 1857 to 1859. In 1886, the poet Jean Moréas published the Symbolist Manifesto ("Le Symbolisme"). Let us know if you have suggestions to improve this article (requires login). Having visited Italy at age 15 he began his love for art. Between 1892 and his death in 1898 he was a professor at the Ecole des Beaux-Arts, where his students included Henri Matisse, Georges Roualt, Georges Desvallières, René Piot, and other artists associated with the Fauvist movement. In 1864, Moreau showed Oedipus and the Sphinx at the Salon. Moreau was deeply influenced by Chassériau's work - particularly his interest in combining elements of neo-classical and romantic aesthetics - and set up a studio next door to him. 1890Death of his friend Alexandrine Dureux; deeply affected, he paints Orphée sur la tombe d'Eurydice* [Orpheus at the Tomb of Eurydice] in her memory. Moreau succeeded Elie Delaunay as professor at the École des Beaux-Arts, and his teaching was highly popular. 6 April 1826Birth of Gustave Moreau in Paris.His father Louis Moreau, an architect, inculcates a sound knowledge of classical culture in him. His father, an architect, ensured that Moreau received an education in the classics, while his mother, a talented musician, doted on him due to his poor health as a child. Gustave Moreau Biography - Never have paintings taken such a dramatic turn as Gustave Moreau’s, the French painter extraordinaire whose paintings became known for their spectacular Gustave Moreau was born in Paris to a wealthy middle-class family in 1826. "Gustave Moreau Artist Overview and Analysis". Moreau was born in Paris, France, into an upper middle-class family. 1865In November, Gustave Moreau is invited to Compiègne by Emperor Napoleon III. 1849Moreau leaves the Ecole after twice failing to win the Prix de Rome. Over the next couple of years, Moreau studied paintings at the Musée du Louvre, and across the early 1850s he completed a few government commissions. Moreau gained a place at the Ecole des Beaux-Arts in 1846, studying there for three years. Biography of Gustave Moreau Childhood. He presents six paintings. 1892-1898Succeeds Elie Delaunay as professor at the Ecole des Beaux-Arts. He made them uneasy...He didn't show us how to paint; he roused our imagination." Soon after the death of Chassériau, Moreau returned to Italy, where he travelled extensively, studying the art of the Renaissance and Mannerist masters. 1875Appointed Chevalier de la Légion d'Honneur. The pair's relationship is not well-understood, partly because Moreau burned their correspondence upon Dureux's death. Even though they were together for over 20 years, they never married, for unknown reasons; though some critics have suggested that Moreau might have been homosexual. Although the movement was primarily concerned with poetry (naming Charles Baudelaire, Stéphane Mallarmé, and Paul Verlaine as the key literary leaders of the movement), the Symbolists adopted Moreau as an artistic figurehead, and Moreau has been associated with literary as well as artistic Symbolism ever since. Moreau lived a sheltered life growing up. At age 18 he entered École des Beaux-Arts to study under the guidance of François-Édouard Picot and left in 1850. He does not exhibit again until 1876. In 1856, Moreau's close friend and mentor Théodore Chassériau died at the young age of 37. He was a very influential teacher of some of the artists of the Fauve movement, including Matisse and Rouault. Twice, in 1848 and 1849, he entered the prestigious Prix de Rome, but failed to win both times. He established a studio on the third floor, which remained his base for most of the rest of his life. Gustave Moreau spent the early part of his career obsessed with the ideas of Romanticism, believing that art was intended for the presentation of the beautiful as a perfect combination of ideas and form. Moreau's influence can also be sensed in literary circles. In 1851, Moreau befriended the painter Théodore Chassériau, who had studied under Jean-Auguste-Dominique Ingres. His last work, Jupiter and Sémélé (1896), is the culmination of such tendencies. Our editors will review what you’ve submitted and determine whether to revise the article. 1849-50He makes copies at the Musée du Louvre and receives several government commissions from the Beaux-Arts.

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