All rights reserved. Feedback is an intriguing social thriller that teases the social aspects more so than actually delivering upon them. It looks like we don't have a Synopsis for this title yet. Radio stars are a dying breed. Jarvis Dolan (Eddie Marsan) isn't too keen on letting anyone speed up that process. Jarvis Dolan (Eddie Marsan) isn't too keen on letting anyone speed up that process. Feedback, is a well made film, that's filled with mystery, instensity, violence and a claustrophobic atmosphere, since everything is set in a radio station. A radio star experiences the worst night of his life when stalkers assault the radio station where he's working. Previous the job, Dolan is required by his boss Norman Burgess to have a brief talk about the fate of the program by the recent poor ratings, that reporting Dolan to accept to his former partner, Andrew Wilde, as co-host, in an attempt to improvement the show. The trouble is, he doesn't really know what they want - or does he? Loudmouth, fun and ruthless in his speeches and comments, Jarvis is the most important radio star of the moment, entertaining the audience throughout the early morning with his intelligent programs on hot topics. Loudmouth, fun and ruthless in his speeches and comments, Jarvis is the most important radio star of the moment, entertaining the audience throughout the early morning with his intelligent programs on hot topics. The trouble is that there really isn't enough plot to stretch over an hour and 37 minutes, and the moral dilemmas the plot goes on to introduce lack the sophistication to really challenge most viewers. Perhaps that's part of Alonso's point. Despite the absence of any overt comedy to lighten the mood, there's a strain of black humour in Alonso's script (written with Alberto Marini), which includes a lot of nicely observed radio patter and points up how that practised style of smooth, calming conversation can be used to make almost anything seem acceptable. Jarvis' character arc is predictable from the outset and despite shifts in the behaviour of other characters we don;t get the sense that anybody else really learns anything. This point is rather too heavily laboured towards the end, however, and it's unlikely to be a revelation to anyone. According the night runs out, the situation comes each time more extreme, putting all them in a several danger with any guarantee to survive. Synopsis "Feedback" follows Jarvis Dolan (Eddie Marsan), the host of a successful late-night radio show. Going they two to the studio, Wilde meets Dolan's assistants, Anthony and Claire, who work making the show behind the micros. When Jarvis is asked to interview a former colleague about things they did in the past, there are no flashbacks to bring relief; we are required to sit there and watch their faces and feel the pressure that they feel. ©2006-2020 Eye For Film. Taglines Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide. Feedback is an intriguing social thriller that teases the social aspects more so than actually delivering upon them. Feedback is a techno-thriller that takes place a few years from now. His whole life changes after armed men burst into the studio and take him and his entire show hostage, forcing them to read from a prefabricated script and exposing a scandal that could destroy Jarvis' life. The two-room set-up in which most of the action is played out - a control room looking onto a studio with tinted glass that's difficult to see through from the studio side - makes it feel more like a stage play but gives it a claustrophobic atmosphere that adds to the mood of the story. The celebrity radio presenter seems a curious subject for a film set in the present day, but the small scale of radio makes the premise of Pedro C Alonso's feature début more believable and creates a sense of intimacy without which it would be a very different beast. Masked men take the celebrity host of true crime show The Grim Reality hostage but he has no idea how to give them what they want - and then people start getting killed. The story opens with Mick dying in a filth-ridden alley after stealing the prototype of a device designed to manipulate time by sending a signal into the past. The writer assumes a position of educating readers whether they have watched the film or not. One thinks, for instance, of Money Monster, but similarities to that and to Alan Partridge: Alpha Papa are purely superficial; the mood here is persistently dark. 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